Control the tone and its envelope by selecting material and natural decay of the tone and tine bars forming the fork. Fork – A sweet sound is produced when the hammer hits the fork.Modulate these across the whole keyboard range or depending on the MIDI velocity. Adjust the force of the impact, the stiffness of the hammer and the noise it makes. Hammer – Control the attack with the hammer.Whether you are looking to emulate a particular sound or simply find your own, you have direct access to all piano components. This was achieved by tedious manual adjustments of forks, hammers and pickups. Custom Tone – Famous players all had their own signature sound.

Custom pianos can be created with just a few tweaks, a job that took hours of painstaking work on real-life instruments. Hammer, tone, tine, pickup-Lounge Lizard is built around the modeling of real piano components. The engine also includes an EQ to shape the tone and an adjustable stereo tremolo, effects that were built-in with specific piano models. Lounge Lizard models the components of an electric piano: the hammer, the fork, the damper and the pickup.Īll these elements have been carefully modelled in order to allow for a very accurate reproduction of the tone and dynamics of electric pianos resulting in an authentic recreation of their action and feel. In the recent years, the electric piano has enjoyed a resurgence through its extensive use in rock, jazz, fusion, hip hop, R&B, and house.Īuthentic Tone, Action, And Feel, In An Easy To Use Interface It has been popularised in thousands of songs by legendary musicians and bands such as Ray Charles, Joe Zawinul, Herbie Hancock, Chick Corea, Stevie Wonder, Steely Dan, Supertramp and many others. The electric piano, with its distinctive sound, has marked the history or rock and jazz in the sixties and seventies. In 1955, the EP-100 piano was released and followed by many other models until 1984. The Wurlitzer company became interested in this idea but replaced the piano strings by metal reeds. In the thirties, the inventor Ben Meissner had developed an electrostatic pickup design he used to amplify a conventional upright piano. Harold Rhodes was not the only one to work on the electric piano.

From then different models were introduced including the Mark series as well as the two 88-note Suitcase and Stage models until 1984 when production ceased. But it is not until 1965, after the takeover of Fender by CBS, that the instrument really came to life when a 73-note model was released. The electric piano as we know it today grew out of a partnership between Harold Rhodes and Leo Fender who released a 32-note version of the instrument. The first instruments he built were made of aircraft pieces and were intended to entertain army servicemen.

The electric piano was invented by Harold Rhodes (1910‑2000) during the forties when he was in the army.

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